![]() Then there’s the Tone control, which I commonly use to compensate for any higher frequencies that may be dampened during the process of compression. I sometimes like to turn the sustain up to around 90% when using my fuzz pedal, as this produces a classic Hendrix-style wail that is ideal for shredding.Īnother thing that I really like about the Ego is that the Blend control allows you to create ideal combinations between your dry signal, the signal produced by other effects pedals, and your compressed signal. These settings are perfect for jangly, melodic guitar parts.Īnother thing I love about this pedal is that the sustain control is useful if you are playing single-note melodies and need to ensure that your guitar doesn’t get overpowered by other instruments as the note starts to decay. The best settings I’ve found for my clean tone are having the “Blend” at just over halfway, the “Attack” set to around 40%, the “Volume” and “Sustain” set to just under halfway, and the “Tone” knob set to 75%. It’s my go-to choice for heavy blues licks and saturated tones, and I’ve also found it to be well adept at thickening a clean tone, ironing out any spikes in the volume. With the Ego, I’m able to create a similar style of compression that you get from a tube amplifier cranked up to its limits without sacrificing any definition. Brimming with versatility, this second-generation pedal has been the perfect tool for taming the dynamics of many electric guitars while enhancing my guitar’s tone. My Review: Build quality, ease of use, excellent tone, good value price point, the brilliant Ego compressor pedal by Wampler has it all. If you want to learn more about compressor pedals before reading reviews, we have a guide at the bottom of the page on how to choose the perfect pedal for your needs. If you’re a bass guitar player, I recommend checking out our page specifically dedicated to bass compressor pedals here. Regardless of whether you are experienced in the realm of effects pedals or not, you’ll find this detailed guide helpful in your search for a quality compressor. In the following article, I’ll present the best compressor pedals at each price point and describe their strengths and weaknesses so you can decide on the perfect one to add to your pedalboard. The results of a compressor pedal are perhaps less obvious but undoubtedly as important. More extreme effects like distortion, wah-wah, or spacey reverb produce very noticeable results therefore, they are considered somewhat more exciting. In comparison to other effects, compressors don’t receive enough credit in my opinion. They are the unsung heroes of the pedalboard, subtly controlling the dynamics of an instrument and interacting with all of the other elements of your rig to enhance the power and clarity of your tone. ![]() Along with these two choices, your range of effects pedals also has the ability to transform the output of your instrument in countless ways.Ĭompressor pedals are perhaps the most widely used among guitarists, in the studio or on the stage. Needless to say, amplifiers are a major part of your setup, as are the guitars you use. Perhaps it’s more like grabbing a moment in time and stretching it off into the distance.Selecting the individual components of your guitar rig is a process that hugely impacts your tone, style, and sonic possibilities. It’s completely fascinating, like the longest, most shimmering delay and reverb, but so much more than that. You can clear, fade, and process them individually without affecting the others. The sounds end up stacked into five layers per channel. It’s always listening and able to grab the signal that’s most recently passed through, depending on how much audio you ask it to memorise. The timbral and tonal character of the original is preserved, so it simply sounds like it’s being sustained. ![]() It sort of samples your sound/oscillator/instrument/recording and resynthesizes it into a perfect clickless stream. Blukac Endless ProcessorĮndless Processor is a dual-channel infinite sound sustainer machine. In the cake shop of modular, here are this week’s strawberry tarts, chocolate eclairs and fat slabs of Rocky Road. ![]() It’s a take on the Mutable Instrument Ears, where you can generate sounds, envelopes and gates from a contact microphone. Behringer got into electro-acoustic experimental scratchings this week with RADAR. ![]()
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